It seemed to her that it was she that they were laughing at, pointing her out to one another, jeering at her, reviling her, threatening her. Joan recounted the episode—so far as the doorstep.!

Joan considered. “Yes,” she answered. “I should say he’s just the man to manage her.” They gathered round the table. Mr. Baptiste was still pinned up in Mary’s bright shawl. It lent him a curious dignity. He might have been some ancient prophet stepped from the pages of the Talmud. Miss Ensor completed her supper with a cup of tea and some little cakes: “just to keep us all company,” as Mary had insisted.

“Quick,” said the doctor. He pushed her in front of him, and she almost fell down a flight of mud-covered steps that led into the earth. She found herself in a long, low gallery, lighted by a dim oil lamp, suspended from the blackened roof. A shelf ran along one side of it, covered with straw. Three men lay there. The straw was soaked with their blood. They had been brought in the night before by the stretcher-bearers. A young surgeon was rearranging their splints and bandages, and redressing their wounds. They would lie there for another hour or so, and then start for their twenty kilometre drive over shell-ridden roads to one or another of the great hospitals at the base. While she was there, two more cases were brought in. The doctor gave but a glance at the first one and then made a sign; and the bearers passed on with him to the further end of the gallery. He seemed to understand, for he gave a low, despairing cry and the tears sprang to his eyes. He was but a boy. The other had a foot torn off. One of the orderlies gave him two round pieces of wood to hold in his hands while the young surgeon cut away the hanging flesh and bound up the stump. “Do you think you will go on doing it?” he asked, with a laugh. The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.”